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New and exclusive today: Ahead of the Design manchester united wembley burnage cap shirt Additionally,I will love this Met Gala on Monday, Vogue Global Fashion Director Virginia Smith is here to tell you the story behind our May issue, which is a tribute to Karl Lagerfeld and features some of his favorite models––including Gigi Hadid and Kendall Jenner. Even Karl’s beloved cat Choupette makes a guest appearance (in the arms of none other than Naomi Campbell)! Don’t miss the scoop on this special issue of Vogue… Hundreds of Karl Lagerfeld designs—for Chanel, Fendi, Chloé, etc.—have been published in Vogue; and over a period of 34 years, the magazine published eight features of the designer’s luxury homes. Four of these were photographed by Lagerfeld, a brilliant philosopher who understood that the art of living well is a far-reaching concept that goes beyond space and objects to include learning, manners, art. , etc. “The dresses are only interesting as part of everything else going on,” he told the magazine in 1989. No wonder Lagerfeld felt at home in the 18th century. “It was. a century at its best,” the designer told Kennedy Fraser. “And so modern. It’s so perfect. The rooms are very flattering to live in.

For years, Lagerfeld would live beautifully in those styled rooms on rue de l’Universite, where he preferred candlelight to electricity, eating Meissen plates and walking on carpets that once belonged to Louis XV. André Leon Talley wittily described that Lagerfeld at this time had a “Versailles complex”. Lagerfeld retreated into Enlightenment surroundings after previous stylistic fascinations. The designer’s first apartment to appear in Vogue was his Art Deco work in Paris. The designer at the Design manchester united wembley burnage cap shirt Additionally,I will love this time, who was designing for Chloé, where he filters the Jazz Age through the prism of the 1970s, says: “It was more of an atmosphere than anything – it was a dream come true. This was followed by apartments in Monte Carlo and in Rome, created in collaboration with renowned interior designer and longtime friend of Lagerfeld, Andrée Putman. The former, filled with the colorful flamboyance of Memphis pieces — the living room features a neon boxing ring — is described by Putman as “like a children’s palace.” By contrast, Lagerfeld’s Italian lair is filled with pieces of Wiener Werkstätte. The dominant color scheme is black and white, a color palette that Lagerfeld favors in his own wardrobe and for his designs for Chanel. “Each Karl apartment is a perfect and self-contained universe, but a sincere one,” Putman wisely noted. “His apartments are a series of sincerity after one another. He gets to the bottom of his obsession with places: and then he throws everything away.” Change was a constant in Lagerfeld’s life; No wonder he chooses fashion as his medium. “I don’t want to become attached,” he told Joan Juliet Buck, “and I separate when the time comes.”

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