Rip king von t-shirt

 

Rip king von t-shirt

With Crash, the Rip king von t-shirt But I will love this final album in Charli XCX’s deal with Atlantic Records, the pop artist said she wanted to embrace “everything that the life of a pop figurehead has to offer in today’s world—celebrity, obsession, and global hits.” Less a contractual obligation than an all-out rager capping off her major label era, Crash effortlessly synthesizes Charli’s commercial instincts with her more experimental impulses. It plays like a mixtape of lost ’80s and ’90s dance-pop, with nods to everyone from Janet Jackson (in the title track) to New Order to Prince. If Crash is Charli’s so-called “major label sell-out” record, it’s a helluva way to go out. —K.B. I first discovered Charlotte Adigéry in 2019 via “High Lights,” a smart, sexy, deliberately tongue-in-cheek lament for her obsession with switching up her wigs over a finger-snapping electro-pop beat, before she fell off the radar for a couple of years. So it was a pleasure to see her return earlier this year with her debut album, made in collaboration with Bolis Pupul, as well as Adigéry’s long-time coproducers Soulwax, the pioneering electroclash Belgian DJ duo. Titled Topical Dancer, it’s a subversive skewering of both racism and the self-righteousness of identity politics, all laid over beats so infectious they could be added to a CDC list. On “Blenda,” Adigéry sings “Go back to your country where you belong / Siri, can you tell me where I belong?”—but with its funky, squelchy bassline, you only want to dance. Where other pop artists attempting to fold politics into their music feels desperately clunky, Adigéry and Pupul’s absurdist vision slips down like an ice-cool cocktail. —L.H.

Rip king von t-shirt

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